The Unadorned

My literary blog to keep track of my creative moods with poems n short stories, book reviews n humorous prose, travelogues n photography, reflections n translations, both in English n Hindi.

Friday, January 03, 2025

The Legacy: Tales from the Postal Trail, The Sneak-peak

 The countdown has already begun. I hope to present my book, The Legacy: Tales from the Postal Trail, to my readers in a fortnight. First, it will be an ebook, and then the paperback version will follow in another fortnight. Here is the cover image, which is in the process of refinement. It is the 3D version of the image. 

 
The preface is also ready. Giving it here for my readers to get an idea about the book.
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Preface

T

he post office is a treasure trove of history—but is it ready for the future?

The post office has stood as a symbol of reliability and connection for generations, ferrying written messages across rivers, jungles, and mountains. Its legacy is celebrated by many who have chronicled its profound contributions to society and its role as a vital government institution serving citizens at their doorsteps. Writers of the past have immortalised its stories, elevating the post office to literary and cultural prominence. Yet, today, this venerable institution finds itself in the throes of an existential crisis.

The advent of the IT revolution posed significant challenges to traditional businesses, and the post office, though slow to respond, eventually made a bold effort to adapt. But no sooner had it begun its transformation than mobile technology arrived, upending industries from watchmaking and photography to mail delivery. The post office’s battle to stay relevant grew fiercer, its resources and reach dwarfed by the sweeping power of new technologies. And now, artificial intelligence has emerged, promising a seismic shift in every domain. With its unparalleled efficiency and capability, AI has left experts warning of a future where human roles may be rendered obsolete, no matter how entrenched.

What will become of the postal service and the millions who depend on it for their livelihood? Will it emerge victorious in this relentless struggle for relevance, or will it one day find its place as a relic in museums? The answers remain uncertain, and the stakes have never been higher. Until the future unfolds, we can only wait, watch, and hope.

This collection of thirty short stories seeks to capture a slice of the post office’s journey—its challenges, triumphs, and indomitable spirit—before the wave of artificial intelligence brings its next disruption. As someone who has been part of the organisation during its efforts to navigate the disruptions of the IT revolution, I have witnessed firsthand its people’s emotions, struggles, and resilience. These stories are my humble attempt to give voice to those experiences and preserve them for posterity.

The Legacy: Tales from the Postal Trail” is an English rendition of “Virasat,” a Hindi collection published in 2008. Readers then embraced the stories, and many desired to see them translated into English. Sixteen years later, I have revisited “Virasat” and brought it to a new audience. The text has gone through both translation and enhancement. I hope this volume resonates with readers today, just as it did when it first appeared. Your encouragement in 2008 was my inspiration, and I look forward to hearing your thoughts once again.

 

Ananta Narayan Nanda

Bhubaneswar

1-1-2025

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Friday, December 06, 2024

About Ivory Imprint

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My novel “Ivory Imprint” has gone live as an e-book link here: https://amzn.in/d/906PtcK and as a paperback link here: https://amzn.in/d/cz2dyCS . I am happy to share a short synopsis about the book. I hope my readers will find some evidence of my diligence.

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Set in the tea estates of Valparai, Tamil Nadu, Ivory Imprint begins with a violent encounter between an ostracised elephant and an unnamed individual, leaving him injured and speechless. Dr Malovika, an ecological sciences professor from IISc Bangalore, arrives in Valparai for research but mysteriously avoids involving herself with the case, even after recognising the victim as Aarohan, her childhood crush. Instead, she sends Mayank, a mutual friend, to investigate.

Mayank is shocked to find Aarohan, once vibrant and full of life, in a pitiful state with no memory of his past. Aarohan’s trauma stems from his role in a road accident that killed his parents. Straying into obscurity, he is now reduced to an “idiot savant,” experiencing vivid dreams with apparent psychic abilities. These dreams, rich in detail and narrative, act as windows into his fragmented psyche, revealing profound truths through interconnected tales reminiscent of Vetaal Pachishi.

Desperate to help, Mayank turns to Manasi Sundari, a reclusive spiritual seeker. Meanwhile, Malovika wrestles with her advocacy for elephants and personal challenges from her past. Aarohan’s journey draws in a diverse cast of characters, each contributing their own struggles and stories to the narrative:

Veena, an aspiring Bollywood actress turned successful scriptwriter mentored by Fanish, a renowned but creatively blocked scriptwriter. Fanish journeys to Port Blair to seek inspiration, intertwining his quest with a therapeutic suggestion for Aarohan’s recovery.

Irving, a former sports teacher who has been navigating the line between sanity and madness, believes in divine intervention as a path to healing.

As this eclectic group converges in Port Blair, their clashing beliefs and motives give rise to tensions but also fuel a collective effort to aid Aarohan. This shared determination drives Aarohan’s remarkable transformation, setting the stage for dramatic events and existential reflections on fate, spirituality, and human connection.

The recurring motif of the elephant weaves throughout the story, embodying a spectrum of meanings—from innocence and mischief to danger and introspection. It serves as a playful kite, a Hollywood star, and a predator symbolising Aarohan’s internal and external struggle.

Through its rich narrative tapestry, Ivory Imprint transcends a simple literary experiment. It explores the boundaries between dreams and reality, human resilience, and the mystical, culminating in a powerful tale of convalescence and self-discovery.

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A N Nanda

Author of "Ivory Imprint"

6-12-2024

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Saturday, August 31, 2024

An Apt Disposal


The Apt Disposal

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This story is included in my compilation, "The Remix of Orchid," which I'm trying to bring in digital form soon. Hence, it has undergone some revision.

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Dr Bhandarkar and Mr Kughato are friends despite no professional affinity, for a scientist has nothing to do with an airline manager. Mr Kughato looks after the commercial affairs of his airline on the tiny little island of Port Blair, and Dr Bhandarkar conducts the scientific survey of a disease called leptospirosis, the Andaman fever. Yet they become fast friends. Both are, incidentally, great dog enthusiasts.

As for the scientist, this love comes to him gradually, more because of the persuasion of his friend than out of any personal interest. Nowadays, whenever he receives a prize for his poodle dog, Master Snow, in a dog show or a word of appreciation from an appreciative cynophile, he never forgets to take the name of his worthy friend Mr Kughato.

The scientist is a friendly talker. If you ask him how he suddenly became a passionate and skilled dog owner, he will tell you this interesting story.

It is a Sunday afternoon when he is just strolling on the seaside road. His mind is occupied with the depressing thought of how all his attempts to get a transfer out of Port Blair have been drawing blank and how almost all his fellow scientists except him have left the sleepy little island. Then he bumps into Mr Kughato. The gentleman looks friendly with body language, which is nothing if not agreeable. He is with his big dog Bruno, who is on a leash, following his master in a leisurely amble. The scientist tries to keep at a safe distance. Why should not he when the dog is Bruno, a ferocious pet with two dark, probing eyes and an open mouth? But Mr Kughato wishes him and comes closer. He is bent on clearing the gentleman’s misunderstanding about the animal. For him, it is like ‘one good act’ that he must do to justify his day.

‘Don’t worry, don’t worry. He’s only a dog, no dragon, I say. He won’t do anything to a friend,’ Mr Kughato and his dog come menacingly closer, attempting to assure the panicky scientist. ‘By the way, I’m Kughato from Indian Airlines, and he is Mr Bruno, my most faithful companion.’

‘I’m Abhijit Bhandarkar, a scientist in the regional unit of the Indian Council of Medical Research here, and I’ve been on this island for the past ten years. I live near Middle Point,’ Dr Bhandarkar’s response is lukewarm, and Mr Kughato understands the reason. The fellow has not entirely accepted Mr Bruno as his friend.

Then, the two fellows continue to walk on the seaside road. The scientist squints at the dog, and the dog does the same. Surprisingly, in about five more minutes, they accept each other without fear, and Mr Kughato feels happy noting the rapprochement. Like his dog, he knows who to befriend and who not to. A compassionate tribal fellow at that. Yes, he is a Naga who knows what a dog is capable of, what a dog needs—and even what a dog tastes like!

They stroll a distance and sit on a rock by the roadside somewhere midway to enjoy the evening breeze. They talk for a while, and when it is time to resume their walk, both friends get up and move. But Mr Bruno does not. Mr Kughato proceeds ahead, yet the pet remains immobile. Then, the understanding master realises that the pet is up to something significant. He comes closer.

In the meantime, Dr Bhandarkar discovers that he has left his house key there, and the blessed thing has slid down the slope beside the rock. He is at a loss what to do since the place is almost beyond his reach, and retrieving the object seems impossible.

‘Gosh, it’s lying over there. Maybe it’s fifteen feet down. How do I get there? They’re all jagged rocks…’ The scientist looks at the object helplessly. With a sigh of resignation, he decides, ‘Leave it, it’s gone.’

But Mr Kughato proves he is a friend in need. He orders Mr Bruno, and the obedient pet gets the opportunity to prove himself to his new friend. With a move characterised by canine agility, he gladly climbs down the impossible slope of the craggy shore. Incidentally, it is low tide at that moment, and the object is visible. Mr Bruno holds it between his teeth and returns to Dr Bhandarkar to return it. The pet appears businesslike and mildly self-satisfied. Nevertheless, the incident impresses the scientist tremendously and fills him with deep admiration for the animal. He praises his presence of mind.

‘Wow! What a job! Mr Bruno, you’re terrific, I should say,’ Dr Bhandarkar feels like patting him.

‘Yeah, when he’s Mr Bruno, it’s a different matter altogether,’ Mr Kughato, the proud master of the brainy dog, gives a mischievous smirk.

The story ends there. But the scientist would not disappoint you should you want to listen more. He often relates another anecdote to his eager listeners about how he came so close to the dog. The story goes something like this.

One day, on his way home from his morning constitutional, the scientist drops in on Mr Kughato, who is also returning from the gym. Suddenly, Mr Bruno barks quite excitedly and does not allow even his master to enter his foyer. Nobody is inside to answer, not even Aloto, Mr Kughato’s valet boy. The scientist stands transfixed with fear, witnessing a strange behaviour in the pet. But his friend understands. He is quick to find there is a snake! It is poisonous, and Mr Kughato tackles it in no time. Had it not been for the all-knowing and alert Bruno, one of them, or even both, could have died of snakebite. The grateful master pats his dog, hugs it, and kisses its icy muzzle in a sudden surge of affection. Dr Bhandarkar watches it with tremendous admiration for the brave pet and his requiting master.

The scientist gradually evinces personal interest in Mr Bruno. He will surely not forget the pet whenever he asks about Mr Kughato’s well-being. It is no formality now; the dog is capable of discerning that. He starts playing with his friendly visitor, with all his playfulness gaining new sparkle and all his gambols reaching new heights.

Thus, one day, Dr Abhijit Bhandarkar is initiated into the grand world of cynophiles. His guru is Mr Kughato.

‘Abhijit, would you like to select a pup for yourself? I reckon you had better, now that you know all a dog can do,’ Mr Kughato offers a friendly suggestion. However, he has nothing in particular to recommend as yet.

‘Sometimes I, too, think that way, especially when I see Mr Bruno gambolling around me. But then…you know…’ Dr Bhandarkar stops short of voicing his apprehension.

‘But then what? Do you mean it’s a hassle taking care of the pet? Then you must also consider its benefits and decide, I say,’ Mr Kughato pats Mr Bruno, who is probably listening to a crucial deliberation concerning his species.

As if addressing the attentive pet, Mr Kughato continues his unrestrained praise for the animal. He says that Dr Bhandarkar’s family environment is perfect for a pet to grow up civilised. Family is where the animal learns human qualities like social accommodation, respect for orderliness, compassion and so forth. ‘A scientist’s dog is surely qualitatively different from a butcher’s,’ Mr Kughato chuckles. Further, he adds that a dog never interferes with the harmony of the ambience. Instead, he adds to its flourish. Say like the tinkle of a wind chime. He understands the entire family of the master and its requirements and ensures that one living under its aegis never slips into depression.

Mr Bruno starts pawing his master, his forelegs stretched and his head bowing. For Mr Kughato, this is the dog’s endorsement of his version, and he affectionately pats him on the head.

Then Mr Kughato offers to arrange a beautiful poodle pup for his scientist friend. Mr Kughato’s encouragement has its effect. The scientist makes up his mind, ‘OK, then, a poodle will do.’

Mr Kughato’s airline does not ordinarily encourage the transportation of dogs alongside regular passengers. As such, he entrusts this job to Aloto to bring the pup by sea. Since Aloto has the training from Mr Kughato, he knows how best to approach the job entrusted. He chooses a nine-week-old pup from a reputed breeder at Calcutta and brings that along to Port Blair. It looks as cute as an expert’s choice can deliver. A visibly healthy puppy exudes a playful temperament through its bright, clear eyes, clean skin, and shiny coat. Mrs Bhandarkar does not come up with her ready acceptance, but Sangeeta, her school-going daughter, is thrilled. She has seen one of her friends possessing a poodle and has been wistfully longing for a pet of that kind. Now she gets something she has long been craving for, or even more magnificent than that. She plans to clip its coat in a style that will make her friends green with envy. She waits for the puppy to grow to a year old to enable her to do so.

The poodle, ever so bright with his snow-white coat, is christened Master Snow, grows familiar with everybody’s temperament, and soon becomes the darling of the family. All enjoy his genial disposition. Even Mrs Bhandarkar starts accepting him, for dogs are lowly creatures entitled to their share of compassion from humans…as much as she and her family deserve it from lord Ganapati! The pet gets joyfully enraptured when Dr Bhandarkar returns home after attending his work. Before anybody in the family realises that the master of the house has reached the door and it is time somebody reaches the door to open it and let him in, Master Snow runs there impulsively. And as soon as Dr Bhandarkar is in, he starts gambolling and whining delightfully as if his need for attention is more urgent than anybody else’s or as if his master owes him an explanation for his long absence during the day. Nevertheless, the intelligent animal knows his responsibility. Whenever Sangeeta is busy with her homework or Mrs Bhandarkar with lord Ganapati, he keeps silent without any growl or yelp. He is so sober that he does not even bother a cat that prowls searching for a mouse at night. Obediently, he allows his shampooing or the clipping of his coat and does not raise a yelp after he hears the first reprimand, ‘Bad Dog’. Even the kids from the neighbourhood are not frightened and come to his friendly proximity.

One fine day, Mr Kughato leaves Port Blair along with his companion, Mr Bruno. He is under orders of transfer, and his airline does not even allow him the luxury of choosing his departure date. Everything happens so very unexpectedly. Only Aloto remains.

It is now for Aloto to preserve Mr Kughato’s memory at Port Blair. With Mr Bruno gone, accompanying his master, what else is there now to take charge of and keep alive? It is finally the friendship with Dr Bhandarkars.

Aloto chooses to stay back for no less a reason than his career. He is already employed, and the job is part-time. He believes his present temporary job will be permanent one day, and then he can build a modest career. After all, the Anthropological Survey of India is a government organisation whose job is at a premium. He has the talent to help him in this respect. He shares Mr Kughato’s interest in Western music and has picked up some intricate gospel, pop and rock music tunes from him. His familiarity with the music helps him earn a few more bucks from performances on various occasions. Dr Bhandarkar has known the boy since his association with Mr Kughato and considers him a well-behaved individual with a promising future. Aloto likewise considers Dr Bhandarkar to be his mentor and elder brother. He visits Bhandarkars quite frequently and has earned a ready acceptance there. Most significantly, he is close to Master Snow, the pet he has seen growing into the most fashionable purebred. Under his active help, the clipping of Snow’s coat has been done very artistically—like a tiny lion in a toyshop. Whenever Aloto visits Bhandarkars, the playful pet receives him with a welcome gesture by stretching out his forelegs, bowing, panting, and sometimes pawing at his favourite guest.

With summer arriving on time, the islanders start wearing their vacation moods. They all plan to visit their homes to fire their hearths on the mainland. Dr Abhijit Bhandarkar succeeds in getting two months’ leave this time. The family will avail such a long leave after a gap of two years. Mrs Bhandarkar and daughter Sangeeta start packing up their luggage in deadly earnest while reminding each other that they are soon starting, just in a week’s time. They decide not to brood over their elusive transfer but concentrate on the thing at hand. Their hard-earned leave makes them feel liberated, homeward, relieved, and nostalgic.

Now, a problem bothers the family: who will care for Master Snow, the pampered poodle of the quiet household? This time, Mr Kughato is not there to bail him out. Dr Bhandarkar knows about some boarding kennels run by the Dog Association of the Island. But he is not readily inclined to entrust Master Snow in the care of the Association as he fears his pet might contract a disease from others during his long absence. Master Snow is no longer a pup; he is now Mr Snow, like Mr Bruno—a handsome and healthy male dog, and all would love to have their female dogs mate with him. Still, Dr Bhandarkar has avoided such an environment of wanton promiscuity for his poodle. He knows Port Blair is not where he can get services from specialist vets and get Mr Snow treated should an occasion like this develop, unfortunately. No simple solution strikes him.

‘How about Aloto? Mr Snow will have no problem in his care,’ assures Mrs Bhandarkar.

‘Only if he agrees. Let me ask him.’ Dr Bhandarkar is unsure, given that Aloto is employed these days and has no time to spend on extra activities. Lately, he has not even made regular visits to Bhandarkars.

When Dr Bhandarkar approaches Aloto, he graciously agrees to take responsibility. He reassures Sangeeta that her beloved pet will be well cared for in her absence.

Sangeeta, her tone betraying more worry than authority, gives Aloto specific instructions. ‘Look, you should shampoo his coat every other day,’ she says.

‘Alright, Baby, I’ll do that,’ Aloto responds lightly.

‘And you need to brush him twice daily,’ Sangeeta continues.

‘Sure thing, I’ll do it your way,’ Aloto replies with a playful tone.

‘You must feed Mr Snow at 9 a.m. and 8 p.m. regularly. Is that okay?’ Sangeeta instructs again.

‘Of course, Miss, I’ll follow your orders,’ Aloto replies.

Mrs Bhandarkar gets amused at the dramatisation of the whole thing and decides to chip in. ‘Sangeeta dear! This is Aloto, you know. How can you go so jittery when he is in charge?’

‘I’m happy to receive her sweet instructions, ma’am. Let her tell me everything lest I turn forgetful,’ Aloto reacts, letting out a short, amused laugh.

The day of the voyage arrives. The Bhandarkar family starts with a queer ambivalence writ large on everybody’s face. On the one hand, they feel the excitement of being homeward, and on the other, they are bothered about Mr Snow and his care. Sometimes, they start doubting if Aloto could shoulder the entire drudgery single-handedly and for the whole sixty-day duration.

Mrs Bhandarkar has, however, an additional strange feeling, which she hesitates to share with her husband. Somehow, she feels that lord Ganapati will listen to her prayer very soon. This kind of intuitional optimism has swept her several times in different contexts; empirically, she has seen them all coming true. Are they her auto-suggestions? However, she has always kept the phenomena to herself, even after the events. In other words, she even hesitates to claim retrospectively that such a feeling had once occurred to her much before the happening. Now, adrenalin starts flowing rapidly in her veins, and an upbeat mood makes her display elated expressions. She feels the long spell of waiting for her husband to leave the island will end soon. She even thinks that he will quickly get a transfer to the National Aids Research Institute, Pune. Agog with happiness from within, the spiritual lady cheers everybody. Her joy is too prominent from the sudden lift in her temperament, but Dr Bhandarkar thinks his wife is ecstatic at the prospect of her upcoming reunion with her friends and relatives. So he does not ask her to explain the reason.

As planned, they reach Raigad, their native place, making everybody glad with their cheering presence. Their hectic engagements make them forget Port Blair, their anxious pet, Mr Snow, and the temporarily uncared-for idol of Lord Ganapati.

As if to prove the unsaid call from Mrs Bhandarkar’s sixth sense, Dr Bhandarkar receives an interesting trunk call while he is still at his native place. It informs him that his request for a posting at the National Aids Research Institute, Pune, has been accepted. He is to head a field-intensive research project as the scientist-cum-project leader. For a moment, the scientist, already in a mood of deep-seated despair, cannot believe it. But his wife has no big surprises; she smirks slyly. Of course, she is full of sublime gratitude for her lord Ganapati and goes on praying in total surrender. Dr Bhandarkar starts planning how soon he can join the new post. Internally, he is apprehensive: a delay on his part in joining the new post will be fatal since the offer can be withdrawn on that plea alone. He knows that such eventualities are not uncommon in his organisation. Sangeeta is also happy. Anything new excites her, and now she has so many things at once--a new school, new friends, new books, and new clothes...and the old ones, including Mr Snow, no longer hold the same charm.

Soon, the scientist gets a basketful of uncertainties to grapple with, like joining his new post, winding up his old establishment at Port Blair, securing his daughter’s admission to a school of their choice, and so on. He knows the project he will join is well behind schedule—a virtual non-starter. So, he cannot tell if he will be allowed a leave of absence as soon as he joins.

Dr Bhandarkar prioritises his daughter’s admission. All transfers unsettle the flow of education. He talks to the principal of her school at Port Blair and obtains her transfer certificate by registered post. Then, he instructs Aloto over the phone to find buyers for his household furniture at Port Blair. Finally, he promises to reach there well in a month. Aloto waits for the scientist to arrive and relieve him.

A person with a scientific temper, Dr Bhandarkar joins his new post without any elaborate luck-boosting formalities. The day he joined is a new moon, and any ordinary fellow in his place would have avoided starting his latest stint on that date. His wife is a devout religious woman, yet she can do precious little in this respect. She has always refrained from forcing her husband to go for astrological consultations.

As soon as Dr Bhandarkar signs his joining charge report, he meets the Deputy Director of his new institute on a courtesy call. It is a formality nobody in bureaucracy should ever forsake. The boss receives him well, makes him sit comfortably, and offers him a steaming cup of tea. But at the same time, he gives the scientist an alarming picture of the project he is about to head. He does this purposefully: the newcomer must understand his responsibilities from the word go clearly. Well, a boss is a boss who is entitled to his share of scare tactics! And that, too, everything he does is for the institute’s prestige! Finally, he states his expectations: he wants a report published in three months, and Dr Bhandarkar must accomplish that, at the minimum, come what may.

The newcomer scientist, eager to make an early mark in his new workplace, accepts it as a professional challenge.

With a month and a half gone, guilt scares the scientist of a disagreeable consequence. He gets increasingly convinced that his overdue trip to his old place of posting will be indefinitely postponed. His darling pet must be brought to the mainland and his wife’s revered idol of lord Ganapati. Both Sangeeta and Mrs Bhandarkar have already reminded Dr Bhandarkar about this.

‘Ah, I now understand what your boss is up to,’ Mrs Bhandarkar empathises with her anxious husband. She concludes, ‘Going to Port Blair this month is out of the question’.

‘But then I’ll go. I’ll make it next month,’ the scientist uttered in response. These words were more for self-consolation than resolve.

‘Then why don’t you send Aloto at least a money order? This will be good for his confidence,’ Mrs Bhandarkar persuades. Her tone indicates that she has also started doubting her husband’s sincerity about the trip.

‘Oh yes, I’ll do that today if that’ll help. How about sending two thousand rupees?’ The scientist appears neither generous nor stingy. His wife agrees to it.

Dr Bhandarkar decides that once his family moves to the new station and occupies a residence, he will bring everything there—first of all, Mr Snow, the pet in distress. Mrs Bhandarkar agrees. She cannot make it any earlier, travelling alone to the island. According to her beliefs, women are expected to take care of the home and the hearth, while everything else is the domain of men, and it is in everyone’s best interest that encroachments are not encouraged!

Dr Bhandarkar applies for leave for twenty days and reminds his boss to decide. But all his efforts fall flat. His boss does not budge an inch. He clearly states that there should be no respite unless a paper is published from the project. He reiterates that the flow of funds to the project depends on its progress.

The experienced scientist in him understands what it means. The project was a virtual non-starter before his joining, and now, even if he does his best, it will take him at least three months to develop something publishable. Or maybe four months—who can say that for sure? Nothing can be done earlier than that. Then how is he going to wind up his establishment at Port Blair? Does that not mean his reputation as a gentleman is getting slowly eroded before Aloto? Does that not mean his wife will question his sincerity? Dr Bhandarkar flounders for an idea of how to get out of the imbroglio.

Mrs Bhandarkar remembers her promise before lord Ganapati and feels uncomfortable that events are not shaping as she calculated. Nothing will help her restart her puja as promised to her lord. In the unknown niche of her heart, she fears the worst. That lord will shower curse on her for the slip is her fear. She should restart her worship rituals instantly; a month has passed beyond the spell for which she had taken leave of her god. ‘Lord’s magnanimity cannot be taken for granted,’ she warns herself in silence. ‘Please do something, dear…and do that early. A delay of this magnitude is not to be treated so casually,’ she pleads before her husband regularly as she finds him back from work. She is now clearly nervous, and in her perturbation, she starts doing something she has ever desisted from: she starts nagging her husband daily.

Aloto remains on the distant island with Mr Snow, the pet-in-trouble, struggling to comprehend the enigma called the future. Both are emotionally strained—Mr Snow longs for a reunion with his master’s family, while Aloto is eager to be relieved of the pet’s responsibility, but in an honourable way. Aloto, with his limited resources, cannot afford to provide the dog with wholesome food or meet its other expensive needs. Although he was willing to contribute his labour when he agreed to care for the pet, he never consented to incur expenses on his master’s behalf. Even if Dr Bhandarkar returns at some unspecified future date, Aloto lacks the means to buy high-quality commercial dog food until then. Simple table scraps cannot meet the dog’s nutritional requirements. Whatever money he received from Dr Bhandarkar has already been spent on rent. At a loss, he feeds the dog with table scraps and leftovers.

Mr Snow, the luxury-loving pet, is unhappy with his food and expresses his displeasure with a bitter growl. Aloto, the sensitive caretaker, feels unnecessarily guilty about it. Distressed by the pet’s reaction, Aloto grows increasingly upset. One day, when Mr Snow continues to whine despite repeated reprimands, Aloto loses his temper and delivers a blow to the pet’s muzzle. However, Aloto quickly regrets his actions and tries to make amends the best way he knows: gently patting Mr Snow until the pet pretends to fall asleep.

One day, a stylish woman interested in high-quality mixed-breed dogs visits Aloto. She has a request: she would like to breed her female dog with Mr Snow, for which she is willing to reward him with a handsome tip of five hundred rupees. The lady is incredibly charming and aware that what she’s asking for is a common practice—mating animals with the owners’ consent. From the animals’ initial body language, Aloto can tell they understand the purpose of the negotiation and are eager to proceed with zest. Naturally inclined toward such intimate behaviour, dogs often display it openly, and their actions at the moment are understandable.

However, Aloto, an honest tribal, considers it a sin to betray his master in such a way. He knows that Dr Bhandarkar despises lending his pet for mating. Aloto had previously cared for Mr Bruno, the dog of his former master, Mr Kughato, who believed that using a pet in any manner without the master’s explicit permission and the animal’s willingness was tantamount to an act of direct thieving. With this in mind, Aloto rejects the offer upfront and never regrets his decision. Unable to comprehend his reasoning, the lady frowns deeply at Aloto’s behaviour.

Aloto finds the scientist’s schedule deferred for the second, third, and fourth time in six months. Of course, he gets a regular money order of two thousand rupees per month, but that is paltry—barely sufficient for meeting the house rent liability. Practically nothing is left thereafter for the pet. In the meantime, Mr Snow starts accommodating Aloto—probably the poor pet gauges the extent of poverty its new master is presently undergoing.

Aloto begins to ponder: What should he do with everything in his custody if Dr Bhandarkar does not return? What should he do with his pet dog, Mr Snow?

He hails from a place where dogs are considered a local delicacy. He loves dogs but can also appreciate them as a source of food. The only taboo in his society is that the meat of an animal ceases to be eatable if it dies from disease or injury. Aloto would not have any qualms about eating Mr Snow’s flesh if it comes to that—an affection for the animal may not necessarily be a dissuading factor. To him, Mr Snow could be no different from a garden-fresh melon or a firm-fresh fowl! But the issue before Aloto is that he cannot do the same with Mr Snow without the express permission of its original master. If he were to do so, his conscience would prick, and he would consider himself a thief.

In the ensuing weeks, the promised day of the scientist’s arrival goes by silently. With every passing day, Mr Snow gets dirtier and more lacklustre. Aloto cannot spend on expensive shampoo and willy-nilly manages with cheap detergent soap. He regularly combs the pet’s coat, but without an oil-balanced shampoo, its fur mats with dirt. Sometimes, it becomes challenging to clear its coat off the tangles. The poor pet cries out in pain when Aloto forcibly runs his comb through it. Rapidly shedding its original glow, the dog appears to be heading for an inevitable sickness. There is nothing that Aloto can do to arrest it. Participating in this year’s dog show is simply out of the question. Then what would be the pet’s fate—Aloto has no clue. If Snow dies of sickness, will its carcass go into the trash?

Finally, Dr Bhandarkar contacts Aloto over the telephone and apologises profusely for failing to keep the schedule. He explains that he is still busy with a ticklish project, which is taking much longer than initially thought. Then, he goes on to explain how he cannot convince his boss that his need for a brief spell of leave is really compelling. As a result, it is not possible on his part to tell if he can make a trip to Port Blair in the next three to four months.

The scientist now instructs Aloto a few more things to do. Just a few more things. He should, first of all, return the possession of the house to the landlord immediately so as to save him from unnecessary rental expenses. Then he should realise the entire money due from the buyer of his old furniture, and remit that to him by money order. As a courteous finish, the scientist assures Aloto that as soon as he is free from the initial rush of work, he will make it to Port Blair.

The instructions of Mr Bhandarkar shock Aloto more than they dispel his anxieties. Stunned, he finds it difficult even to seek some genuine clarifications. Agreed, he can dispose of the small utensils and furniture for whatever price they may command, but what should he do about the other two objects—the brass idol of lord Ganapati and the once-pampered-but-now-neglected pet dog Mr Snow? He is a Christian, and will it be okay on his part to handle Mrs Bhandarkar’s object of devotion, lord Ganapati? Aren’t holy objects usually untouchable? Secondly, what should he do with Mr Snow that will please its original master? Should he finally entrust him to the boarding kennel? The Dog Association? To any Tom, Dick, and Harry who offers to adopt? Should he set him free to thrive on licking the leftovers of a hotel or discards of unknown households? Should he earn from the mating service, complying with the requests of interested bitch owners that he has so far spurned? Or should he kill him and save him from further life of neglect and pity?

Aloto garners composure with difficulty just to ask a couple of questions.

‘What about the idol, sir?’

‘Send the parcel by post if you can. Or hold it till I reach,’ instructs Dr Bhandarkar unambiguously.

‘And what about Mr Snow?’ Aloto asks the ultimate question and waits for his mentor’s response.

This time, his response is less clear than the earlier one. The scientist snorts a deep sigh and replies in a roundabout manner.

‘Um, I’m not sure…. Do as you feel. I’m sure you will do the best possible.’

Aloto is more confused than ever. He has seen love of pet at its best; now, he encounters neglect…yes—it is neglect in its most virulent form. He cannot explain how both the opposite feelings can originate from the same source.

He looks at the pet. Responding, Mr Snow looks straight into Aloto’s eyes. Probably, he wants to say something. Perhaps he intends to help Aloto decide what he should do next and how. It is as if he wants to say, ‘My friend, try to understand me. Can’t you see I’m suffering? Can’t you see I’m enduring the pain of existence? Can you do something to end my pain? Please, anything you do is acceptable…honestly, I won’t mind. Try,’ Mr Snow growls, and it grows feebler and feebler.

Aloto understands what they mean. He decides on the easy, permissible course. He prepares himself mentally and reaches for the sharpest one, the one he is sure will give the last pain, the least pain, and a pain capable of transforming a life of suffering into an enduring memory.

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By

A. N. Nanda

31-8-2024

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Labels: ,

Monday, August 19, 2024

The Flight

The Flight

‘Hey, don’t go by his fish story! If he’s Sancheet, I bet it will be a tubful of trash,’ commented Utsav snidely about his old friend Sancheet.               

Anubhav was only too surprised to hear such uncharitable remarks. A friend commenting on another in front of a third one—surely, he needed a different set of words and better intonation!

At the same time, Utsav insisted that he bore Sancheet no ill will. ‘After all, he is my friend, and how can I be so ill-disposed towards him?’ he sounded pretty self-righteous as he posed a rhetorical question. According to him, he had no interest in highlighting his friend’s fondness for bragging. He knew something even more heart-rending about him: the poor thing was passing through a difficult time financially. His so-called spectacular literary success had yet to make any difference to him.

‘Look, what happened the other day,’ resumed Utsav. Now, he was in a mood to supply bone and flesh to his remarks. ‘Sancheet came to me, and he was in an unusual hurry. He invited me to accompany him on a trip to Europe. I was quite happy to listen to his success. After all, he needed a break, a long-delayed one, though. But when I asked him about the purpose, the chap had no convincing account to offer.  He was talking of many things at a time: the mission was a part of cultural sponsorships by various embassies; it was a business trip on the invitation of some obscure association of antique dealers to sign a memorandum of understanding there, and so forth,’ Utsav paused a while. Probably, it was deliberate on his part—before uttering something important, he needed a moment’s silence, a break in the flow of talk, and, of course, a violent sneeze.

Then he continued. ‘I should not say it in so many words, but still…I just gave him a hundred bucks. He was flat broke then, badly needing help for his immediate sustenance. I was surprised how eagerly he snatched that, pocketed it, and left, probably to a roadside eatery! Look, it was my friendly duty…and you tell me, how could I have avoided that?’ he ended his utterance with another rhetorical question.

‘So? Do you mean to say his proposal is a hoax? Filming a simple documentary at the Andamans is a hoax?’ asked Anubhav unbelievingly.

‘Huh! With Sancheet as a collaborator, what else can it be? It’s even more than that; it’s an utter rubbish, my friend,’ ridiculed Utsav.

Utsav was an old friend of Sancheet’s from school, but Anubhav had known Sancheet for only a week. Anubhav’s friendship with Utsav was also relatively new; however, it was not as recent as his connection with Sancheet. To be precise, Anubhav and Utsav had been acquainted for about two years. Their relationship began when Sancheet left Calcutta, while Utsav stayed behind to pursue his job and form new friendships. Utsav’s current trip to Puri was partly intended to reconnect with his old friend. These days, Sancheet was living in that pilgrim town, exploring something creative. Anubhav had accompanied Utsav to Puri. When all three gathered, Sancheet was introduced to his new friend, Anubhav. That was the origin of their new friendship.

Despite his recent acquaintance with Sancheet, Anubhav had difficulty accepting Utsav’s words of caution at face value. All the insinuations he now heard from Utsav sounded like biased overstatements—nay, backbiting. If not for his confidence in his own judgment of people and places, Anubhav might have been easily misled by now. With such confidence on his side, he couldn’t recall ever noticing and ignoring any abnormalities in his new friend Sancheet. On the contrary, Anubhav discovered a fascinating character with a broad and contemporary range of interests. From everything Sancheet discussed, Anubhav didn’t sense any urgency for money or self-indulgence; instead, he perceived his new friend’s genuine love for simplicity and gentlemanly respect for cultural ethos. This temperament had drawn Sancheet closer to various finer facets of culture, such as poetry, classical music, folk arts, the collection of rare artefacts, and so on. Whenever Anubhav introduced a random topic, Sancheet was more than ready to contribute to the discussion and express his honest feelings, as though the topic were dear to his heart. He seemed miles away from commonplace gossip. No wonder all this created a natural liking in Anubhav for Sancheet. No wonder, therefore, a stable foundation of friendship was laid—all within just a week!

Utsav was highly critical of the project that the creative duo had conceived. The plan was to create a historical documentary titled “Japanese Excesses in Wartime Andamans.” The exciting idea occurred to them almost spontaneously during their first meeting. Their mood was to do something novel and creative; their objective was to refresh popular memory about glorious yet forgotten events. Sancheet eagerly offered his help to shape the project. Right then and there, he mentioned the best outdoor locations, reputable videographers, mixing studios, potential distributors, and even the formalities involved in submitting their work to the various film festivals. With everything falling into place, they decided on the spot to embark on the project, scheduling the Muhurat, or commencement ceremony, for the New Year. Anubhav agreed to book the airline tickets for their itinerary. The only other immediate requirement was a quick script, which Sancheet offered to write. In the month leading up to the New Year, they resolved to focus on research and scriptwriting for the project. It was a quick idea by all accounts, but Anubhav knew that all path-breaking ideas often come this way—spontaneously.

However, the painstakingly detailed account Anubhav provided about his film-making commitment failed to impress Utsav. No reason seemed convincing enough. Absurd was the name Utsav gave to all the fantastic projects his friend Sancheet often cooked up. So, Utsav continued reflecting—Sancheet might have produced yet another one to impress Anubhav. He might have somehow learnt that Anubhav had the money and connections to waste on his extraordinary ideas. Utsav gauged the depth of the impression Sancheet had made on his new friend! Anubhav was heading towards fraud, like an unsuspecting person lending money to a loser for his last gamble. As the mutual friend of both dreamers, Utsav felt it was his duty to warn Anubhav, who would have the entire financial stake in the project. He firmly believed in the age-old wisdom that “forewarning is forearming,” so he resolved to do everything possible to express his concerns loudly, come what may.

‘Look, I have only one interest in cautioning you. Things will go wrong, as far as I can foresee. For heaven’s sake, I don’t think you should blame me for my failure to warn you in time. I value our friendship, so I want you not to be led there unwittingly,’ Utsav aired his apprehension animatedly. All that he uttered resonated with pre-emptive defence, abdication, and cynicism.

Yet nothing could deter Anubhav. He would instead prefer careless abandon and suffer for it than wallow in pettiness. Having inherited huge property from his wealthy maternal grandparents, he was assured of the basic comforts of life. In the ordinary course, he would not be required to slog for earning them at any time in his life. As a person, he was restless and could quickly get tired of his leisure. This had always attracted him towards things novel and challenging. But where to find the apt content in life that would hold his interest permanently? He started taking his first lesson in Hindustani classical music only in his late twenties. Yet, much to his surprise, he could find himself comfortable in the field in just three years, so much so he had given thus far a few successful live performances before celebrity audiences. The press had given very cheering reviews of those events all along. He acquired a working knowledge of Esperanto. Now, making a movie promised him the same thrill and freshness, even though it was only a documentary. It was historical, patriotic, and so very challenging!

Anubhav had little interest in reacting to Utsav’s condescending homily. Yet, he thought a last-ditch attempt might remove the latter’s misgivings about the project under contemplation, if not about his old friend.

‘I only wish to say one thing in reply. A creative idea often appears a little hazy in the beginning...what one needs to appreciate at this stage is its freshness and appeal. Don’t you think filming such a novel theme is a good idea?’ Anubhav urged Utsav to recognise the importance of the chosen topic, enhancing the impact of his appeal with a rhetorical question.

‘No, frankly, I don’t. Rather, according to me, it’s going to be all wastage,’ countered Utsav. Intending to emphasise his practical tip, he continued, ‘When one isn’t sure about the finish, where is the big point in starting anything?’

‘Well, you have a point here, but then I’d differ with you on that. I don’t reckon one must necessarily be sure about the finish, even before taking a plunge. Is it possible to know everything when what you want is only a tryst with the unknown? Didn’t Columbus know that he had finished his voyage and reached India? Did he know that he had reached America? After all, it’s the spirit to do something new that propels one into action, not just the allurement of result,’ Anubhav tried to appear forceful with his argument fortified by a historical example.

The argument remained inconclusive. Anubhav stayed back in his hotel at Puri for a few days more while Utsav left for Calcutta to resume his duties with the Daily Times of India.

Utsav, a marketing executive at a newspaper, had minimal interaction with the creative team since his job primarily involved collecting and printing pre-prepared advertisements. He also managed a few small commercial columns that occasionally required some innovation. On such occasions, he would approach the creative team for ideas. His experiences in this regard had always been peculiar. Just the other day, someone suggested he try an idea similar to the ‘party line’ in telecom, but through print media—in the same way one might ‘enjoy’ talking sexy stuff to an unfamiliar girl at the other end of the line. ‘Unprintable stuff for printing, eh!’ Utsav had mumbled in doubt, but since the idea’s originator had the reputation of being a genius, Utsav was overawed. When he presented the idea to the special editor, the latter asked for further details. Unfortunately, Utsav didn’t fully understand this complicated concept of ‘party-line-in-print-media’ innovation, and the so-called genius didn’t come to his rescue. It was a complete disaster! Utsav felt as though all hell had broken loose. His boss, known for his fragile temperament, gave him the scolding of a lifetime. The entire fiasco was due to that crazy chap—the creative fellow. Utsav cursed himself, ‘Shame on you, Utsav. Even a fool could take you for a ride!’

Utsav had experienced this sort of situation many a time. It was because he overestimated the so-called creative geniuses as superior to him. Every time somebody let him down in this manner, he would take a vow: ‘From now on, I shall not give a damn for all those high-sounding nobodies…never in my life’. He did not see his attitude towards creativity as a reflection of his inferiority complex; it was instead a cautious response system that he developed for all the pretentious people in his professional world!

But Sancheet could hardly ever understand Utsav’s less-than-friendly attitude towards him. He often wondered why the latter, professing to be his most caring friend, should carry such an inveterate misconception about him. His ideas were conceptually well-intentioned and logistically workable, even though only a few of them he tried had fizzled out before taking any shape. Once, he tried to identify and record who’s who of all the gods and goddesses that lived in India beyond the archetypical Indian pantheon, for he felt every god or goddess, living in poverty either inside a broken temple or under an ancient tree, had a rich folk tradition behind it. But as he proceeded in his probe, he found the work beyond the ability of a single person to tackle. Before the project moved further, he left it. And he considered, even now, that he had chosen something workable. Now, the filming of a historical theme based on Andamans would not suffer the same fate as his previous projects. Anubhav would be there with him till it took shape.

Utsav harboured a deep mistrust of Sancheet rooted in a complex love-hate relationship dating back to their school days. He envied Sancheet’s ability to excel academically without long study hours. On one occasion, Utsav witnessed Sancheet interceding on behalf of a friend who was being harassed by bullies, even getting injured for his bravery. As a result, Utsav nicknamed him Idealist-Baba, meaning uprightness personified. It was typical for Sancheet to score high marks despite being irregular in class attendance and a rare visitor to the library. His academic prowess, which Utsav could not help but respect, was evident in his distinctive, alliterative writing style, voracious reading habits of books unrelated to the syllabus, and skill in impromptu public speaking. Additionally, his extracurricular activities were equally impressive.

During his post-graduation days, he transformed himself into a leftist, sporting an unkempt goatee and dressing himself in a rumpled kurta-pyjama. He always had a pair of flip-flops afoot and a bidi on his lips—a bidi being a country-made cigarette rolled in Tendu leaf (Diospyros Melanoxylon). As a result, his concentration wavered from his studies. This had irked Utsav, inducing a generous concern for his friend in him. Then, he had long sessions with his friend, trying to impress upon him that he should give up his ‘pseudo-Marxist’ posture and the horrible bidi addiction. But Sancheet would not relent. Finding it difficult to reform his friend through sincere counselling, Utsav again nicknamed him ‘Pseudo’ and the ‘Hypo’, meaning ‘the hypocrite’. Sancheet had taken all these in his stride without reacting in retaliation. This further saddened Utsav, who found himself outsmarted in all his initiatives. He could not prove himself better than his friend in studies, and now he failed to establish himself as a well-wisher! All through his life, he had been a vanquished person before the towering personality and ever-unflappable temperament of his friend Sancheet.

There was yet another reason behind Utsav’s critical attitude towards Sancheet. It was something for which Sancheet could not have made himself responsible. Both friends were in university then, intensely conscious of their youthful right to enjoy themselves. Both had the right physique to appear attractive to the fair sex—tall, smooth-skinned, and lean, yet Sancheet had the charm that Utsav lacked. Discretion and sensitivity made all the difference. Whereas Sancheet was circumspect in matters involving feminine sensitivities, Utsav was ostentatious. In the first meeting with her lady love, the latter would insist on deciding whom she should meet and whom she should not. Then, outside, he would prematurely brag about his extraordinary love affair everywhere. Thus, Utsav’s gestures were far too obvious and often irritating, always forgetting that a girl would welcome only such gestures as were mature, moving, and sincere. Probably, that was why the object of Utsav’s adoration, the bright, bubbly girl named Roma, fell for Sancheet. She had, quite unceremoniously, spurned Utsav’s overtures of love on more occasions than once.

That had hurt the manhood in Utsav, yet, like all jilted lovers, he lingered on. And finally, luck rewarded his graceless tenacity. Utsav got a job, and Roma came forward to mend her fence with him. Like any other girl, the charming girl in Sancheet’s life finally elected the security. She chose to archive her first love story and, with it, its protagonist, the bohemian happy-go-lucky Sancheet, who struck the first chord of passion in her tender heart. It was a victory for Utsav, but it was a hollow one at that. The hassles and ignominy endured on his way to victory remained ever-shocking and continued to tease Utsav as usual.

When Utsav got into an executive job in a reputed newspaper like the Daily Times of India, he looked down upon his friend Sancheet with pity and satisfaction. Satisfied that he had finally caught up in the competition, Utsav now considered himself qualified to commiserate with Sancheet, who was not even a clerk with a small-time business concern. So, a pretence of pity for his bosom friend surfaced from the bottom of his heart.

But Sancheet, the maverick genius, was not to be discarded like that. Since his college days, his attitude of nonchalance had developed in him a sort of aversion to taking the strain, which had kept his talents from blossoming. Whereas it was just a smooth sail for him in undergraduate classes, it was not so in his postgraduate stage. He had his political beliefs to distract him. Treatises on political philosophies written by infallible founding fathers bore more charm for him than those dealing with liberal arts. However, he had finally completed his postgraduate degree and decided to lead a ‘free’ life. He wished to lead a thinker’s life for whatever that epithet meant to him. With both his parents dead long since, his well-wishers and relations could not bring about any change in him. After spending five precious years along the corridors of libraries, museums, archives, and intellectual symposia, one fine day, he suddenly realised that leading an entirely liberated life had earned him the loathsome label of a hapless unemployed. Even the girl who was once willing to do anything for a wink from him chose to move away honourably. So, instead of a ‘free’ life, he became a ‘freelancer’. And then success smiled on him.

He moved from Calcutta and resided in an economy hotel in the pilgrim town of Puri. The sequestered lair allowed him to focus on writing. To his surprise, some hidden inspiration emerged, and he began churning out pages of immensely readable content from his dingy hotel room. He was working on a column that presented contemporary topics lucidly and convincingly. His work gained instant acceptance by a stroke of luck, even with the demanding editorial board of the Daily Times of India. He ran the column daily under the title ‘Rough & Tough,’ and it appeared on the same page as the editorials. Soon, it earned him readers’ accolades—so much so that it exceeded his wildest dreams!

However, before the above turnaround could transpire in Sancheet's life, Utsav had already cashed in on his early success. He had qualified as a perfect groom in the wake of a well-paid job, which did not go unnoticed. Roma, the intimate girl of Sancheet, after waiting a couple of years after her education, decided to marry Utsav, the same mediocre character she used to loathe only the other day heartily. As a gesture of gratitude, she visited Sancheet in his cramped hotel room before her engagement. With her characteristic winsome manners, she explained her decision and all the compulsions leading to it, declared her wish to maintain her friendship in the years ahead, and expressed her gratitude for all the sweet gestures that Sancheet had made towards her. Finally, she crossed the platonic limits, jumping into the willing arms of her worthy lover. She wrote her history, as rich as her passion could chronicle, and then disappeared with a clear conscience and a satisfied heart. She went away from Sanceet’s fold but not from his abiding memory.

Successful and sneering, Utsav often compared his victory with Sancheet’s continued struggle. ‘Ah, how lonely is he now!’ ‘What a gruelling boredom was in store for my dear friend!’ Often, there were flashes of commiseration in the friendly corner of Utsav’s mind. He occasionally invited his unlucky friend to his place, principally to show him his loving, beautiful wife and playful son. In his heart of hearts, he was dying to witness how his friend would go through the grief, being confronted with the reality—his platonic love was now abloom in all colours under somebody else’s intimate care. Utsav calculated that his friend would visit his house and be consumed with envy. And the poor little thing would be punished appropriately for always making him suffer!

But as often as not, Sancheet would avoid going there on some plea. Little did Utsav know that his friend was under a resolve not to do anything that would invite troubles into the marital life of Roma, that he considered his darling Roma a part of his sweet past, something to be wistfully cherished but not ridiculously revived. This attitude of aloofness on the part of his friend would always baffle Utsav; to him, it was a kind of snobbery. He could not reconcile himself to the fact that his achievements bore no significance to his friend. On a few occasions when Sancheet did pay visits, his behaviour had been quite natural, inhibition-free, and bereft of any extra movement of eyebrows or wiggle of fingers. This signified his self-control and his lack of nervousness. At least a few unintentional samples of his friend’s discomfiture would have enabled Utsav to establish his comparative maturity as a married man before Sancheet. But alas, that was not to happen.

As Utsav left for Calcutta, Anubhav had two clear days to work on their idea. Sancheet joined him at his hotel that evening. Both friends decided to stroll to the beach while discussing the project. Upon reaching the beach, they were greeted by the cool breeze blowing carefree from the far corners of the Bay of Bengal. The roar at the shore created an incredible sensation as if trying to assure the two dreamers they were on the right track. They were not to abandon their dream project, taking criticisms to heart.

‘How about shooting a small-length film on the same topic instead of a plain documentary?’ prompted Anubhav.

‘Exactly, I was going to suggest that. It’ll be a better project. The best thing is we can have a plot of our choice,’ agreed Sancheet in an animated voice.

‘Say a Japanese general abducts an islander girl, keeps her as a hostage and asks her father and brother, suspected of being the English informers, to resurface from the underground….  In the meantime, Netaji Subhas Bose visits Port Blair. The girl is prevented from meeting Netaji….’ Anubhav disclosed the highlights of his story, looking at the sea and occasionally kicking the sand. Then he paused and looked at Sancheet to know his reaction.

‘Wonderful! What a terrific plot! I had this morning thought something akin to that,’ Sancheet looked at Anubhav unbelievingly, wondering how both could come to think of the same idea and plot.

‘But, Sancheet, there’s a small problem. Only you can solve that…’ said Anubhav, creating an abrupt curiosity in Sancheet.

‘Problem? Like…,’ Sancheet’s mouth, wide open, had only these two words.

‘It’s nothing impossible, my friend. Don’t worry. I assure you we’ll have the film shot at Port Blair. I was talking about selecting a heroine for our film. Here’s something you alone can help me out,’ Anubhav reiterated his commitment, expressing himself reassuringly.

‘How can I be helpful, Anubhav? I’m as much a bachelor as you are. I’ve got very few contacts with members of fair sex, you know,’ said Sancheet in a tone that accentuated his politeness and self-deprecating humour.

Anubhav did not say a word for a few moments. Then, he began to elaborate on his idea somewhat analytically.

‘You see, going for a market search for girls for the female lead in the play is cumbersome. This is not our cup of tea for both of us, the determined bachelors in our forties. Instead, if we can settle for somebody known...If you don’t mind, I have Roma in mind.’

‘Roma? Do you mean Roma Boudi? Our bosom friend Utsav’s wife?’ asked Sancheet, happily awaiting confirmation from Anubhav.

‘Oh yes...And why not?  We both can take care of her son while the shooting progresses. Even Utsav can join us. Roma is better and more photogenic than a girl in her twenties. I’ve thought a lot before suggesting her name,’ Anubhav confirmed while preemptively justifying his proposal.

‘If that’s your choice, don’t worry, my friend. I’m one hundred per cent in favour. Our Roma Boudi is just made for the role. Come rush, talk to her before it’s 8 o’clock, and Utsav is home. Let’s first know her mind,’ Sancheet virtually pattered all his words in one breath.

Both the friends rushed to the hotel, excited and optimistic. Sancheet dialled the landline. The phone at the other end rang at the first dial, and the voice was distinct. No sooner did Sancheet divulge the idea to Roma than she happily agreed, as if she had been looking for an opportunity like this for ages. Moreover, she suggested that she would surprise Utsav only the night before they would depart for Port Blair, and till that time, neither of the friends should disclose the plan to her husband. The progress was impressive, and Anubhav was beaming with pleasure.

Sancheet took upon himself the responsibility of writing the script. He had no experience penning a drama, but the whole thing was more inspirational than professional. As he started writing, the scenes and sequences became clear by themselves. He made the story centre around the heroine—how she displayed exemplary fortitude in captivity, how dearly she valued her honour and the honour of her motherland, and how she was prepared to endure any misfortune for the sake of the motherland. While developing the plot through the graceful flow of dialogues, Sancheet had the inspiration of the Ramayana to guide him. Did Sita, the central character of the Ramayana, not stick to her hope even when the demon king of Sri Lanka abducted her? Didn’t she turn down unceremoniously all the enticements the demon king piled on her? Why should not Sancheet make an adorable character out of his heroine? After all, he had seen love in all its resplendence. His undying passion for Roma impelled him. Roma was in captivity and needed Lord Ram’s courage to rescue her. Her heroine would emerge unscathed from the captivity of her Japanese abductors; she would appear chaste as ever.

Anubhav liked the script so much that he predicted its great future. When it went to Roma, it touched her innermost soul to kindle many tender feelings; she felt nostalgic for everything she had left behind. Through the lines of the script, she could feel the freshness of Sancheet’s love for her; she could listen to the call of conscience: she had been a miser in reciprocating, granting much less than she should have. Now, she was determined to give her best—this time, she should write an engaging new chapter of her life through her lifelike performance on screen.

With a beautiful script, all other preparatory challenges were visualised and meticulously handled. Air tickets for all of them, viz., both the bachelor entrepreneurs and the artist family of three, and rooms in the Bay Islands, a five-star hotel, were booked in advance. The first batch of cinematographers and technicians left for the island by the MV Nicobar shipping service on Christmas day. On the evening of the 31st of December, both Anubhav and Sancheet reached Utsav’s place by 8.30 sharp, as decided.

Utsav was surprised to see both together. Sarcastically, he wondered if they were finally up to something extraordinary.

‘So, you are all set to shoot the documentary, right?’

‘Well, the latest is something like that,’ said Sancheet.

At that time, Roma came out of the kitchen smilingly. She looked incredibly gorgeous in her floral kitchen apron. The dress made the sensuous contours of her body more traceable than concealed. She had prepared for the thrill that awaited her only a few hours from now. She had bleached her face, trimmed her eyebrows, and done her manicure minutely. Her ringlets hanging down on her blossomed face made her naturalness more prominent than the efforts of her beautician. She looked like a nubile girl in her twenties, going to meet with her fiancé.

While asking them to make themselves comfortable, she gave both visitors a meaningful wink. She tried to determine by eye movement if they had disclosed the scheme to her husband and got the matching signal through eye contact. Then, she broke the topic before her husband.

‘Do you know, Utsav, you’re going to Port Blair tomorrow?’

The abruptness with which the context was brought up mightily confused Utsav. Of course, he knew Port Blair, an exotic island destination, had recently been very popular among tourists—so much so that one needed to book their tickets with the lone airline operating in that sector months in advance. Even then, the absence of planning did not make the news believable.

‘Port Blair? Me? Don’t be silly,’ responded Utsav quite unbelievingly.

‘See, here are the tickets. We’re all going. And can you guess what we are going there for?’ asked Roma in her bid to unfold the surprise packet layer by layer.

‘For what? It’s for the New Year, as simple as that,’ said Utsav very matter-of-factly. Continuing, he explained his inability to accompany, ‘But you see, I can’t go tomorrow because I will remain busy. Besides, I will have my hands full until the 10th of January. Some important visitors are coming to my office during the week.’

‘But then I’ve decided to go. Otherwise, how can they shoot the film?  I’m, after all, the lead female character in this script. I’ve been sweating for the last two weeks to memorise the script,’ said Roma pleadingly.

Utsav was nonplussed. He did not expect his wife to make such a big decision all alone, only to hurl a surprise. He was startled that what Roma was terming a surprise was not just a surprise; it was, in effect, a nasty shock. But now that so much had been done, he could hardly dissuade her from the itinerary. It would be a cool twenty days of outing. She would accompany her three-year-old son, an issue they had got after a lot of medical intervention. Utsav toyed with the idea that Roma could be asked to defer her plan just on the plea of their gamesome son, whom she would find hard to manage there all alone. Then again, he gave it up because he was unsure how it would sound to a lady so obviously determined to go ahead with two bachelors, leaving her husband behind so offhandedly.

Now, to put on a brave face expected of a modern husband, Utsav decided to hide his feelings and talk usually.

‘Then you may go and finish your shooting. I’ll try to join you only after January 20th,’ permitted Utsav.

With these words, everybody in the team became relaxed. Roma gave the finishing touch to her packing, ensuring she took all her cosmetics, script, and saris. Both Anubhav and Sancheet tried to keep Utsav engaged in discussing topics of national and international importance, scarcely being able to hold his attention.

The flight was scheduled to leave quite early in the morning. They should start at 3 a.m. to reach Dum Dum Air Port for a timely check-in. Besides, they had some extra baggage to book. Utsav stated that he would attend the office early on New Year’s Day to preclude all possibility of getting late for the office during the year. Hence, he begged to be excused from attending the airport to see them off. It was quite a superstition as a pretext, but the inspired team had nothing to do with it. Finally, the creative duo and the artist lady with her drowsy son left for Port Blair—the emerald islands, where the ink of creativity was poised to acquire extra sheen.

Still in bed for those remaining hours of that momentous night, Utsav began assessing his loss in this defeat.

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By

A. N. Nanda

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