Dhiru Ma
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Dhiru Ma
Dhiru
Ma was a widow with no one left to rely on in her final years. Her son, Dhiru,
had long since passed away. She was already seventy-six—just a year younger
than the oldest man in the village—and, in that sense, the eldest woman there.
Yet she carried within her a strange calm, not born of resignation but of
certainty. She knew—without fear, without drama—that her end was near.
She
was a spiritual woman, and perhaps that is the one endowment spiritual people
are believed to share: a quiet signal, unmistakable to themselves, that life is
nearing its end. Dhiru Ma did not believe she would leave the world through a
prolonged or insurmountable illness. All her life, she had known nothing more
than the occasional cold or cough; even in old age, there was no cancer, no
lingering paralysis, no Alzheimer’s curse. She felt she would simply fade away,
quietly, like a lamp whose oil has run out.
No
one would have believed her had she spoken of her end with such certainty. She
was still mobile, almost hale and hearty. She drew water from the well herself,
lifting the pitcher without help. Only days earlier, she had attended a
function at a relative’s house nearby, and people remarked on how well she
looked for her age. Some even said she was beautiful—perhaps meaning graceful;
her facial comeliness was only redolent of a glorious past.
And
yet she knew—this was an inviolable truth—that she would be dead within six
months, perhaps sooner.
Once
this certainty took root within her, she began to prepare.
Hers
was a preparation—not for heaven, to befriend gods or consort with celestial
nymphs; not for rebirth, to resume earthly enjoyments; nor for any other
netherworldly journey meant to enlarge the soul’s stature. She had no dreams,
no voices, no visions of what awaited her beyond death. What troubled her was
something far more earthly: what would happen after her death—to her body, and
to her dignity. Perhaps she belonged to that vast multitude who believe that
the dignity earned in life does not perish with the body.
She
knew the ritual well, so she visualised it. Her body would be taken to the
cremation ground. Five men—a panch—would set fire to her pyre as she had
no living descendants. And even before the flames fully consumed her body,
arguments would begin. Who would take her homestead? Who would buy it cheaply
in a “distressed sale,” contributing just a pittance to the so-called common
fund of the village? Her small plot of land—barely eight
hundred square
feet—had long been the object of many covetous eyes in the hamlet.
They
might not even wait for her body to turn to ash.
The
thought unsettled her. She had never worried about her future while alive. But
once she sensed her death approaching, she worried deeply about her dignity
after death.
So
she decided to make arrangements while she still could.
She
looked around for someone she could trust.
The
schoolteacher was a decent man—the first to notice that she was the oldest
woman in the village—and he held her in high regard. Yet she knew society would
never allow him to oversee her cremation when “responsible villagers” were
present. Her immediate neighbours, by contrast, were cruel and cantankerous.
They routinely threw rubbish into her backyard—hair, household waste, dead
mice, broken glass. Once, they even tossed in what they believed was a dead
cat, after beating it with unmitigated cruelty. Dhiru Ma discovered that the
animal was still alive. She nursed it back to health, traced its owner, and
returned the pet to him.
Such
people, she knew, would show her no mercy after her death.
She
thought of the village headman—and dismissed him outright. He was infamous for
abusing widows. The village records spoke silently of his misconduct. Worse
still, he had repeatedly sent feelers to buy her land—sometimes offering to
finance her pilgrimage, sometimes proposing to build her tomb with her name
painted in indelible letters, and many such inducements. She knew that the
moment she placed her thumb impression on those documents, she would be pushed
out to beg on the streets.
By
holding on to that small piece of land, she had ensured a dignified life.
Selling it—either in life or after death—was not an option.
Thus,
she remained alone with her dilemma.
It
was her firm belief that she would catch a minor illness within three months
and die in the fourth. That left her barely a couple of months to decide. She
had savings of ten thousand rupees—her entire life’s accumulation, partly from
an old-age pension.
It
took her a week to decide whom she could trust. She knew this was not a task
that could be entrusted to someone bound by social conventions or compelled to
act in obedience to the village’s collective attitude. Somewhere within her, it
was clear that only a person standing outside the accepted boundaries of
society could fulfil her final wish—someone whom people dismissed as abnormal,
or wrote off as a drunkard; a person who, if understood and treated with care,
might prove far more sensitive and steadfast than anyone else.
It
was in this line of thought that she remembered Vimal, who lived at the far end
of the village. Once, she had found him lying by the roadside, drunk and
senseless. She had sprinkled water on his face, brought him back to
consciousness, and allowed him to sleep on her veranda that night. In his
drunken rambling, she had learnt his story: repeated business failures, a
motorcycle seized for unpaid EMIs, mounting debt, unemployment despite
education up to the tenth class, a refusal to work as a farm labourer, and
finally, a wife who had left him, worn down by his drinking.
Another
evening—while Dhiru Ma was still testing her decision within herself—Vimal
appeared again, drunk, seeking shelter on her veranda. But this time he seemed
different. There were no complaints about a loveless wife, no tirades against
the government for failing to provide a job suited to his education, no curses
directed at the financier. He was drunk, yet unusually quiet—as if the presence
of the oldest woman in the village had stirred some restraint within him. And
he was ravenously hungry.
Dhiru
Ma fed him puffed rice with green chillies. As he ate happily, she asked
softly, “Will you do one thing for me, my son?”
Vimal,
who was slowly regaining lucidity, asked what it was.
Instead
of answering directly, Dhiru Ma said, “I will give you ten thousand
rupees—everything I have.”
Vimal
stared at her in disbelief. “For what, Ma Ji?”
“You
will keep the money,” she said calmly.
“But
for what, Ma Ji?” he asked again.
“I
will not live beyond six months.”
He
asked if she had cancer or some other terminal illness diagnosed at a hospital.
“No,”
she replied. “I have lived enough.”
She
then placed the bundle of notes—ten thousand rupees—into his hands.
“If
no one comes forward to cremate my body after my death,” she said, “you must
take the lead. Whatever money remains after that is yours.”
Vimal
did not argue. He did not return the money. He stood up and went home.
The
next day, he returned to Dhiru Ma’s place—not to see whether she was dead, not
to question her certainty—but to ascertain whether she was a spiritual woman, a
madwoman, or simply a reckless one who had entrusted her entire life’s savings
to a drunkard.
He
came again the next day. And the next.
Soon
his visits became twice daily. His curiosity about Dhiru Ma grew stronger than
his urge to drink. By the end of the month, he no longer felt like having alcohol,
not even a sip when offered.
Word
spread that Vimal had reformed. It was a village where word of mouth still
carried time forward. His wife heard that he had given up drinking. She
returned. On seeing the money, she asked for jewellery to celebrate their
conjugal reconciliation, but Vimal refused.
“That
money belongs to God,” he said. “If we spend even a paisa, we will be cursed.”
Surprisingly,
she agreed. Her grievance had been his alcoholism; once that was cured, she was
content—even without ornaments.
Soon,
Vimal was seen walking to the fields, a spade on his shoulder. No one believed
it—not even his wife. He worked as a daily labourer, guarded maize crops at
night through the flowering season until harvest, fought off wild pigs, earned
overtime, and slept during the day.
One
morning, returning home after a sleepless night, he saw a crowd outside Dhiru
Ma’s house.
She
had died at dawn—precisely in the fourth month after her first premonition.
People
argued about who would cremate her. Who would feed the pallbearers? No one
agreed. By noon, they dispersed, sprinkled Ganga water on themselves, and went
home to eat lunch.
If
anything at all were to be done, they said, it would be decided later—after a
formal meeting of the village elders was convened.
Thus,
no one lifted her body, questioning what the old woman had ever done for them.
These questions were rhetorical—not meant to seek answers, only to vent
grudges.
But
Vimal did.
He
hired labourers, paid them wages, cut wood, built the pyre, and lit it himself.
The panch—the five respected villagers—did not show up at the cremation
ground because they were still busy deciding how to cremate the body. When the
fire had done its work, Vimal hired a priest, paying double when others
refused, fearing the villagers’ wrath. Finally, he held a feast in her honour.
No
one could refuse his invitation.
Holding
a grudge against a dead woman now seemed absurd.
That
night, after the rituals were over and the guests had gone, Vimal’s wife asked
him again. She spoke softly—hesitantly—asking where the ten thousand rupees had
come from.
Vimal
did not answer immediately. He went to the small wooden box where the money lay
untouched. He counted it—every note was still there.
And
he decided to remain consistent in sharing the information.
“It
was never mine,” he said at last. “It belongs to God. I am only keeping it
until He comes to take it back.”
Thoroughly
perplexed, his wife asked nothing further.
From
that day onward, the money remained where it was—neither spent nor worshipped.
And strangely, it no longer mattered. Vimal worked, earned, slept without
guilt, and woke without thirst.
As
for Dhiru Ma—she had departed exactly as she had lived: without burdening
anyone, without begging from anyone, and without allowing even death to steal
her dignity.
And
Vimal—once brought low in everyone’s eyes by his addiction—found his own path
when the time came; not merely standing shoulder to shoulder with others, but
becoming a better human being than most.
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By
Ananta Narayan Nanda
Bhubaneswar 19/12/2025
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Labels: short story

10 Comments:
I was really moved by the characterization of the two key persons in this story - Dhiru Ma and Vimal.
Dignity after death is not very often spoken about and the author has touched a very sensitive topic albeit in a gentle story form. I also liked the human aspect in the story where will power not only conquers addiction but also greed.
I am really looking forward to reading more such stories and wishing Mr. Nanda all the very best.
Thanks a ton, Mr Vijay Kumar ji, for your detailed response to the issues raised in the story. The Indian philosophy is about doing meritorious things in this life to reap benefits in the next birth orascending the heaven. But the principal character, Dhiru Ma, is concerned about safeguarding her reputation in this world even after she is dead. In a way, this is rather more modern attitude than what our scriptures teach. She's not confident about so-called normal people helping her in this respect. She goes to an alcoholic to seek help. That's, again, something special about her. Thank you, Mr Vijay Kumar ji,once again for reading and reflecting on the story.
Mr Nobody still exists to play Samaritan for the honest SOUL like Dhiru maa who
had world of thoughts before her death.
Bimal while regaining his lucidity perfectly did the rituals.
Indeed a great story written shortly.
Thank you, sir, such an incisive review of the story. While the prevailing philosophy is to do some act of piety to ascend the ladder of spiritual hierarchy and avail all the happiness of the heaven, Dhiru Ma tried to use mundane tool to endure worldly reputation as a pious woman. Vimal is her tool andhis metanoia is her method. Thanks, sir, once again, for your kind words.
Dhirm Maa is a heart touching story of an old woman who not only lived a dignified life till her last breath but also she lived dignified after her death. You don’t have to be to rich snd famous to achieve that. Not many successful and wealthy achieve the later goal in making bad choices in their lives. The second message is that she also reformed a character like Vimal through her unfailing trust in handing over her life long savings to a drunkard which is even unthinkable. I would personally like to meet that old lady who entered Vimal’s life like an angel. This sends a message that one will find a response from your own heart and instincts if you search for the truth and solution. Dhiru Maa only followed her that inner instinct. This story is believable real life story and touching to the heart all through the reading depicting the lucid style of writing of the author. Great reading! Bravo! 👏👏 BB
Thanks a ton, Mr Biswal, for giving a scholarly touch to the high points in the story. As most author's strive to impart uncommon virtues to the common characters seen around, I, too, tried to follow the path. By sharing your feelings that Dhiru Ma and her actions are believable, you have reassured me about the approach I adopted here.
The story Dhiru Ma is a brave and beautiful story. So beautifully you have portrayed the old widow’s desires for a dignified death is heart touching.Women’s empowerment is also reflected in this story. Great job .👍🙏
Thanks a lot for your thoughtful remarks on the story. Yes, finally Dhiru Ma got her due after-death rituals. I wonder what happens if someone after death doesn't get the funeral, except that body remaining undisposed would create health issues for those who are living! In that sense, it is a social need to see that a deadbody is disposed with respect. I'm happy that you liked it.🙏
Beautiful story, bringing out unusual facets and interplay of human psychology. I would say that Dhiru Ma, though supposedly illiterate, almost wrote her Will, albeit of a different type. Educated and well-placed people also at times fail to realise that the final call can come without notice, and leave without writing a Will, leading to complications in the family. They do not think of the last rites as they believe that those would be taken care of by the family without an issue. They are usually right, though there are exceptions here, too. It is admirable that Dhiru Ma visualised that, with what she was, the dignity after death, which she prized most, would never come her way. Not just that, she thought of a solution and executed it herself, again in an uncommon and unheard of manner. Entrusting her entire life's savings to a drunkard, with a life full of only failures, speaks volumes about her uncanny understanding of human nature or, as someone might say, a blind trust, or a fool's gamble. Whatever, but it paid off, and in a way nobler than hoped/expected. As for Vimal, he also did something not quite expected of a person like him, and quite inexplicable, too. What really led to his reform/awakening? Was it the trust that Dhiru Ma reposed in him? Was it that he considered Dhiru Ma to be an enlightened/spiritual person and feared wrath of God on him if he did not do what she asked him to? That he carried out the cremation of Dhiru Ma and arranged a village feast, all with his own money, probably indicates that he considered her to be the divine force that transformed his life and did all that to repay her debt of kindness and trust. May be, he considered the ten thousand rupees given to him by Dhiru Ma to be a divine blessing or a sacred omen and, therefore, never spent those. One would never know. Kudos to the author for touching upon such aspects of life.
Wow! Okhde Saheb, you have gone so deep into the plot which is evident from your incisive analysis. I agree with your comments word and spirit. While Dhiru Ma's motivation behind her actions is understood, really the motivation behind Vimal is not clear. It's, to some extent, understood if one finds the level of confidence Dhiru Ma reposed on him. Vimal was hungry for that having lost his own confidence and resorting to heavy booze. That's his moment of metanoia, the kind of which we see in our mythology when Ratnaker, the bandit transformed into Balmiki, the sage. Oddles of thanks, Okhde Saheb making me benefit from your review.🙏
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